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  • Fiction¼Ò¼³ | ¼Ò¶ó´Ü °¡´Â ±æ(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) El camino a Soradan

    ÀúÀÚ À±Èï±æ ¤Ó ¿ªÀÚ À±¼±¹Ì,ÀÌ°­±¹

    ÃâÆÇ»ç Spain½ºÆäÀÎ Ediciones Barataria(¹Ù¶óŸ¸®¾Æ) ¤Ó ÃâÆÇÀÏ 2009(2006 Áö¿ø)

    El camino a Soradan ¼Ò¶ó´Ü °¡´Â ±æ
    À±Èï±æ íÂ, À±¼±¹Ì¤ýÀÌ°­±¹ Íìæ», ½ºÆäÀÎ Ediciones Barataria(¹Ù¶óŸ¸®¾Æ) ÊÊ
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  • Fiction¼Ò¼³ | ¾Æµé°ú ÇÔ²² °È´Â ±æ(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) El Camino Andado Con Mi Hijo

    ÀúÀÚ À̼ø¿ø ¤Ó ¿ªÀÚ ³ª¼ÛÁÖ

    ÃâÆÇ»ç Spain½ºÆäÀÎ Editorial Verbum(º£¸£ºÕ) ¤Ó ÃâÆÇÀÏ 2009(2005 Áö¿ø)

    El Camino Andado Con Mi Hijo ¾Æµé°ú ÇÔ²² °È´Â ±æ
    À̼ø¿ø íÂ, ³ª¼ÛÁÖ æ», ½ºÆäÀÎ Editorial Verbum(º£¸£ºÕ) ÊÊ
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  • Fiction¼Ò¼³ | ½Ä¹°µéÀÇ »ç»ýÈ° (îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) La vie rêvée des plantes

    ÀúÀÚ ÀÌ½Â¿ì ¤Ó ¿ªÀÚ Ãֹ̰æ,jean Noël JuttetÀå ³ë¿¤ ÁÖÅ×

    ÃâÆÇ»ç FranceÇÁ¶û½º Gallimard(°¥¸®¸¶¸£) ¤Ó ÃâÆÇÀÏ 2009(2001 Áö¿ø)

    La vie rêvée des plantes ½Ä¹°µéÀÇ »ç»ýÈ°
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  • Fiction¼Ò¼³ | Èò ¹ìÀ» ã¾Æ¼­(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Sur Les Traces du Serpent Blanc

    ÀúÀÚ ³²»ó¼ø ¤Ó ¿ªÀÚ Pascal GrotteÆĽºÄ® ±×·ÎÆ®

    ÃâÆÇ»ç FranceÇÁ¶û½º Imago(À̸¶°í) ¤Ó ÃâÆÇÀÏ 2009(2004 Áö¿ø)

    Sur Les Traces du Serpent Blanc Èò ¹ìÀ» ã¾Æ¼­
    ³²»ó¼ø íÂ, ÆĽºÄ® ±×·ÎÆ® æ», ÇÁ¶û½º Imago(À̸¶°í) ÊÊ
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  • Poetry½Ã | Çã±Õ ½Ã¼±Áý- ¼º¼Òº¹ºÎ°í(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Borderland Roads

    ÀúÀÚ Çã±Õ ¤Ó ¿ªÀÚ ÇãÅ¿µ, ÀÌ¾È ÇÏÀÌÆ®

    ÃâÆÇ»ç USA¹Ì±¹ White Pine press ¤Ó ÃâÆÇÀÏ 2009(2004 Áö¿ø)

    Borderland Roads ¼º¼Òº¹ºÎ°í
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  • Fiction¼Ò¼³ | Çѱ¹¿©¼ºÀÛ°¡ ´ÜÆí¼±(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Questioning Minds: short stories by modern Korean women

    ÀúÀÚ ¹Ú¿Ï¼­ ¿Ü 9¸í ¤Ó ¿ªÀÚ ±è¿µÈñ

    ÃâÆÇ»ç USA¹Ì±¹ ÇÏ¿ÍÀÌ´ë(University of Hawaii press) ¤Ó ÃâÆÇÀÏ 2009(1999)

    Questioning Minds: short stories by modern Korean women writers Çѱ¹¿©¼ºÀÛ°¡ ´ÜÆí¼±
    ±è¿µÈñ øºæ», ¹Ì±¹ University of Hawaii Press(ÇÏ¿ÍÀÌ´ë ÃâÆǺÎ) ÊÊ
    1910³â ¸»¿¡ È°µ¿Çß´ø Çѱ¹±Ù´ë¹®ÇÐ ÃÖÃÊÀÇ ¿©¼ºÀÛ°¡ÀÎ ±è¸í¼ø ºÎÅÍ ³ªÇý¼®, ±è¿øÁÖ, Çѹ«¼÷, °­½ÅÀç, ¼Û¿øÈñ, À̼±, À̼®ºÀ, ÃÖÀ±, ¹Ú¿Ï¼­¿¡ À̸£´Â ÁÖ¿ä ¿©¼ºÀÛ°¡ 10¸í¿¡ ´ëÇÑ ¼Ò°³ ¹× ¹ø¿ªÀÛÇ°À» ¼ö·ÏÇÑ ¡ºÇѱ¹¿©¼ºÀÛ°¡ ´ÜÆí¼±¡»ÀÌ ÇÏ¿ÍÀÌ´ë ÃâÆǺο¡¼­ ÃâÆǵǾú´Ù. ¿ªÀÚ´Â 90¿© ³â¿¡ °ÉÄ£ Çѱ¹±ÙÇö´ë ¿©¼º»ç¸¦ Á¶°¨ÇÒ ¼ö ÀÖµµ·Ï ¾à 10³â°£ÀÇ °£°ÝÀ¸·Î ÀÛ°¡¿Í ÀÛÇ°À» ¹èÄ¡ÇÏ¿´À¸¸ç, ÀÛÇ°Áý¿¡ ¼ö·ÏµÈ ¸ðµç ÀÛÇ°ÀÌ ¿µ¹®À¸·Î´Â óÀ½À¸·Î ¹ø¿ªµÇ¾ú´Ù´Â Á¡¿¡¼­ ÀÇÀÇ°¡ ÀÖ´Ù. ƯÈ÷ Çѱ¹±ÙÇö´ë¸¦ ÅëÇÏ¿© Çѱ¹¿©¼ºÀÇ »î°ú °¡Ä¡, ²Þ°ú Çö½Ç, °¡Á¤/»çȸÀû ¿ªÇÒ°ú À§Ä¡°¡ ¾î¶»°Ô ½Ã´ëÀû/¿ª»çÀûÀ¸·Î º¯ÃµÇÏ¸ç ¹ßÀüÇÏ¿© ¿Ô´Â°¡¸¦ ¿©¼ºÇÐÀû °ßÁö¿¡¼­ °íÂûÇÏ´Â µ¥ µµ¿òÀ» ÁÖ´Â ÀÚ·á·Î¼­µµ È°¿ë°¡Ä¡°¡ Ŭ °ÍÀ¸·Î ±â´ëµÈ´Ù.

  • Fiction¼Ò¼³ | ±× ¸¹´ø ½Ì¾Æ´Â ´©°¡ ´Ù ¸Ô¾úÀ»±î(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Who Ate Up All the Shinga?

    ÀúÀÚ ¹Ú¿Ï¼­ ¤Ó ¿ªÀÚ À¯¿µ³­, ½ºÅ×ÆÇ ¿¦½ºÅ¸ÀÎ

    ÃâÆÇ»ç USA¹Ì±¹ Ä÷³ºñ¾Æ´ë(University of Colimbia press) ¤Ó ÃâÆÇÀÏ 2009(2006 Áö¿ø)

    Who Ate Up All the Shinga? ±× ¸¹´ø ½Ì¾Æ´Â ´©°¡ ´Ù ¸Ô¾úÀ»±î
    ¹Ú¿Ï¼­ íÂ, À¯¿µ³­․½ºÆ¼ºì ¿¦½ºÅ¸ÀÎ Íìæ», ¹Ì±¹ Columbia Univ. Press(Ä÷³ºñ¾Æ´ë ÃâÆǺÎ) ÊÊ
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  • Fiction¼Ò¼³ | ¹Ú¿Ï¼­ Áß´ÜÆí¼±(îñ ÇØ¿ÜÇѱ¹¹®ÇÐ ¿¬±¸Áö¿ø»ç¾÷ Áö¿ø) DOOBTAY SOORAJ KI TASVEER

    ÀúÀÚ ¹Ú¿Ï¼­ ¤Ó ¿ªÀÚ ¸¶½ºµÎ ¾Æ»þ¸£

    ÃâÆÇ»ç ÆÄÅ°½ºÅº ¸¶¼£ÃâÆÇ»ç ¤Ó ÃâÆÇÀÏ 2009(2008 Áö¿ø)

    ÆÄÅ°½ºÅº ¸¶¼£ÃâÆÇ»ç(Mashal Books)¿¡¼­ ½Ã´ë¸¦ ÅëÂûÇÏ´Â ³¯Ä«·Î¿î ½Ã¼±°ú Àΰ£ÀÇ ÀÌÁß¼ºÀ» ²¿Áý´Â ³ÃöÇÔÀ¸·Î ¸¹Àº µ¶ÀÚ¸¦ È®º¸ÇÏ°í ÀÖ´Â ¹Ú¿Ï¼­ ¼±»ýÀÇ ¡ºDOOBTAY SOORAJ KI TASVEER(A Sketch of the Fading Sun: ¹Ú¿Ï¼­ Áß´ÜÆí¼±)¡»ÀÌ ÆÄÅ°½ºÅº 3°³ °ø¿ë¾î Áß ÇϳªÀÎ ¿ì¸£µÎ¾î·Î ¹ø¿ª ÃâÆǵǾú´Ù. ÀÌ ÀÛÇ°Àº 1995³â ¿ª½Ã Àç´ÜÀÌ Áö¿øÇÑ ¿µ¿ªÆÇ ¡ºA Sketch of the Fading Sun¡»À» ¿ì¸£µÎ¾î·Î Áß¿ªÇؼ­ Ãâ°£ÇÑ °ÍÀÌ´Ù. À̹ø ÀÛÇ°Áý Ãâ°£Àº ±×µ¿¾È Çѱ¹¾î ¹®ÇÐÀÛÇ° ¼Ò°³°¡ Àü¹«ÇÏ´Ù½ÃÇÇ ÇÑ ÆÄÅ°½ºÅº¿¡¼­ 2006³â Àç´Ü Áö¿øÀ¸·Î Ãâ°£µÈ ¡ºSUNEHRI QAQNAS(The Golden Phoenix)¡»(¡¸±Ý½ÃÁ¶¡¹µî ÃÑ 7°³ÀÇ ÀÛÇ°À» ´ãÀº Çѱ¹ Çö´ë ¼Ò¼³Áý), ¡ºAAP KI JANNAT(Your Paradise)¡»(¡º´ç½ÅµéÀÇ Ãµ±¹¡»)¿¡ ÀÌ¾î ¼¼ ¹ø°·Î Çѱ¹ ¼Ò¼³ÀÛÇ°À» ¼Ò°³Çѵ¥ Å« ÀÇÀÇ°¡ ÀÖ´Ù. ÆÄÅ°½ºÅº ³» ÁÖ¿ä ¼­Á¡Àº ¹°·Ð, ÆÄÅ°½ºÅº ÁÖ¿ä ¾ð·ÐÀÎ, ÇÐÀÚ, ¹®Àο¡°Ô ¹èÆ÷ÇÏ°í ¸¶¼£ÃâÆǻ簡 Âü°¡ÇÏ´Â À¯¼ö µµ¼­Àü½Ãȸ¿¡ ¼±º¸ÀÏ ¿¹Á¤ÀÌ´Ù. ¶ÇÇÑ ÆÄÅ°½ºÅºÀÇ ÁÖ¿ä ÀÏ°£Áö¿Í ÀâÁöÀÇ ºÏ¸®ºä¸¦ ÅëÇØ ÆÄÅ°½ºÅºÀÇ µ¶Àڵ鿡°Ôµµ ¼Ò°³ÇÒ ¿¹Á¤ÀÌ´Ù.

  • Poetry½Ã | ½Ã°£ÀÇ µ¿°ø(¹ÚÁÖÅà ½Ã¼±Áý)(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) ãÁÊàªÎÔÚÍî

    ÀúÀÚ ¹ÚÁÖÅà ¤Ó ¿ªÀÚ ÇѼº·Ê

    ÃâÆÇ»ç JapanÀϺ» ÞÖðÍÞä ¤Ó ÃâÆÇÀÏ 2008.12.15(2007 Áö¿ø)

    ÀϺ» ½Ã´Ü¿¡¼­ °¡Àå Áß½ÉÀûÀÎ ¿ªÇÒÀ» ÇÏ°í ÀÖ´Â ½Ã¹®ÇÐ ÃâÆÇ»ç ½ÃÃÊ»ç(ÞÖðÍÞä)¿¡¼­ <Çѱ¹ Çö´ë½ÃÀÎ ½Ã¸®Áî>¸¦ Ãâ¹ü½ÃÅ°°í ù ±ÇÀ¸·Î ¹ÚÁÖÅà ½ÃÀÎÀÇ ½Ã¼±Áý ¡º½Ã°£ÀÇ µ¿°ø¡»À» ´ë»ê¹®È­Àç´Ü(ÀÌ»çÀå ½ÅâÀç)ÀÇ ÇØ¿ÜÇѱ¹¹®Çבּ¸Áö¿øÀ» ÅëÇØ ¹ø¿ª∙ÃâÆÇÇÏ¿´´Ù. À̷νá ÀϺ» À¯¼öÀÇ ½ÃÀü¹®ÃâÆǻ縦 ÅëÇØ Çѱ¹½Ã¸¦ ü°èÀûÀÌ°í Áö¼ÓÀûÀ¸·Î ÃâÆÇ∙º¸±ÞÇÏ´Â »õ·Î¿î Àü±â°¡ ¸¶·ÃµÇ¾ú´Ù. ÀÌ ½ÃÁýÀº ¿ù°£ ½Ã¹®ÇÐÁö ¡º°Õ´ÙÀ̽ÃÅ×ÃÝ(Çö´ë½Ã¼öø)¡»À» Ãâ°£ÇÏ°í ÀÖ´Â ½ÃÃʻ翡¼­ Çѱ¹ ½ÃÀÎ ½Ã¼±ÁýÀ¸·Î¼­´Â ÃÖÃÊ·Î <Çѱ¹ Çö´ë½ÃÀÎ ½Ã¸®Áî 1>·Î ¹ß°£µÇ¾úÀ¸¸ç, ÀÌ ½Ã¸®Á ÅëÇØ Çѱ¹ Çö´ë½ÃÀÎ ÀÛÇ°¼±À» Áö¼ÓÀûÀ¸·Î Ãâ°£ÇÒ ¼ö ÀÖ°Ô µÇ¾ú´Ù´Â Á¡¿¡¼­ ±× Àǹ̰¡ °¢º°ÇÏ´Ù ÀÌ ½ÃÁýÀº ¹ÚÁÖÅÃÀÇ Ã¹ ½ÃÁý ¡º²ÞÀÇ À̵¿°ÇÃà¡»À» ºñ·ÔÇÏ¿© ¡º¹æ¶ûÀº ¾ó¸¶³ª ¾ÆÇ ÈÞ½ÄÀΰ¡¡»¡º»ç¸·ÀÇ º° ¾Æ·¡¿¡¼­¡»¡ºÄ«ÇÁÄ«¿Í ¸¸³ª´Â ÀáÀÇ ³ë·¡¡»¿Í ¿ÃÇØ ¹®Áö¿¡¼­ Ãâ°£µÉ ¿¹Á¤ÀÎ ¡º½Ã°£ÀÇ µ¿°ø¡»¿¡¼­ ¼±º°ÇÑ ÃÑ 67ÆíÀÇ ½Ã¸¦ ¼ö·ÏÇÏ¿´À¸¸ç, Æò·Ð°¡ À̱¤È£ÀÇ Çؼ³À» ½Ç¾î ¹ÚÁÖÅÃÀÇ ½Ã¼¼°è Àü¹Ý¿¡ ´ëÇØ ÀϺ» µ¶ÀÚÀÇ ÀÌÇظ¦ µ½°í ÀÖ´Ù.

  • Fiction¼Ò¼³ | ÀþÀº ³¯ÀÇ ÃÊ»ó(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Jungendjahre

    ÀúÀÚ À̹®¿­ ¤Ó ¿ªÀÚ À±Àϼ÷, Roth Cornelia·ÎÆ® ÄÚ³Ú¸®¾Æ

    ÃâÆÇ»ç Germanyµ¶ÀÏ Ææµå¶ó°ï(Pendragon) ¤Ó ÃâÆÇÀÏ 2004(1999 Áö¿ø)

    Jugendjahre ÀþÀº ³¯ÀÇ ÃÊ»ó
    À̹®¿­ ÀÛ / À±Àϼ÷, ·ÎÆ® ÄÚ³Ú¸®¾Æ °ø¿ª / µ¶ÀÏ Ææµå¶ó°ï(Pendragon) ÃâÆÇ
    ÀÌ ÀÛÇ°Àº À̹®¿­ÀÇ ÀÚÀüÀû ¼Ò¼³·Î¼­ »îÀÇ º»ÁúÀ» ã¾Æ Çì¸Å´Â ÇÑ ÀþÀºÀÌÀÇ ¹æȲÀ» ±×¸° ¼Ò¼³ÀÌ´Ù. À̹®¿­Àº ¿ì¸® ¹®ÇÐÀ» ´ëÇ¥ÇÏ´Â ÀÛ°¡·Î¼­ ÀÌ ÀÛÇ°À» ÅëÇØ ´ç½Ã Çѱ¹ÀÇ ½Ã´ëÀû ¹è°æ°ú ÀþÀºÀ̵éÀÇ Á¤½Å ¹× ¹®È­¸¦ Àß ³ªÅ¸³»°í ÀÖ´Ù. ÀÌ ÀÛÇ°Àº 1991³â¿¡ ¿µÈ­È­ µÇ¾î ±× ÇØÀÇ ÁÁÀº ¿µÈ­·Î ¼±Á¤µÇ±âµµ Çß´Ù. ÇÑÆí, À̹®¿­Àº ¿©·¯ ¾ð¾î±Ç¿¡¼­ °¡Àå ¸¹ÀÌ ¼Ò°³µÈ Çѱ¹ÀÛ°¡À̱⵵ Çѵ¥ ¡ºÀþÀº ³¯ÀÇ ÃÊ»ó¡»Àº ½ºÆäÀξî, ½º¿þµ§¾î¿¡ ÀÌ¾î µ¶ÀϾî·Î ¼Ò°³µÇ¾ú´Ù. ¶ÇÇÑ µ¶ÀϾî±Ç¿¡¼­´Â ¡º¿ì¸®µéÀÇ Àϱ׷¯Áø ¿µ¿õ¡» ÀÌÈÄ µÎ¹ø°·Î ¼Ò°³µÇ´Â À̹®¿­ÀÇ ÀÛÇ°À̱⵵ ÇÏ´Ù.

    Jugendjahre (Portrait of Days of Youth)
    Yi Mun-Yol(Author)/ Yn Il-Suk, Roth Cornelia(Translator)/ Germany: Pentragon, 2004
    As Yi Mun-Yol¡¯s biographical fiction, this story depicts the wandering of a youth in search of the essence of life. Yeong-Hun, on learning about his first love Jong-Nim¡¯s liaison, starts a vagrant life for two years. He then labors hard to save for study, and eventually gets accepted into university. Yeong-Hun, however, distresses over his financial situation and the inability to find literary salvation. In addition, he experiences a conflict of ideology and witnesses his friends die because of this conflict, which haunts him. By chance, he meets two people at a bar, Yun-Yang and the intellectual of misfortune, Kalgalii(¡°revengeful knife grinder¡± in Korean). On an aimless journey with these two unlikely friends, Yeong-Hun, who previously felt only emptiness, watches people on the read leading their own lives and finally comes to realize the meaning of life. Adapted for film in 1991. this work was also selected as a highly film.

  • Fiction¼Ò¼³ | ¿À·¡µÈ Á¤¿ø (îñ ÇØ¿ÜÇѱ¹¹®ÇÐ ¿¬±¸Áö¿ø»ç¾÷ Áö¿ø) ü㪫ª·ªÎïÔ

    ÀúÀÚ È²¼®¿µ ¤Ó ¿ªÀÚ ¾Æ¿À¾ß±â À¯ÄÚ

    ÃâÆÇ»ç JapanÀϺ» À̿ͳª¹Ì¼­Á¡ ¤Ó ÃâÆÇÀÏ 2002(2000 Áö¿ø)

    ¿À·¡µÈ Á¤¿ø ü㪫ª·ªÎïÔ
    Ȳ¼®¿µ íÂ, ¾Æ¿À¾ß±â À¯ÄÚ æ», À̿ͳª¹Ì¼­Á¡ ÊÊ
    Ȳ¼®¿µÀÌ ¿À·£ ¸Á¸í°ú Åõ¿Á»ýÈ° ³¡¿¡ 12³â ¸¸¿¡ ³»³õ¾Ò´ø ÀåÆí¼Ò¼³ ¡º¿À·¡µÈ Á¤¿ø¡»ÀÌ ÇÑÀÏÀå½Å´ë ¾Æ¿À¾ß±â À¯ÄÚ(ôìê÷éÐí­) ±³¼öÀÇ ¹ø¿ªÀ¸·Î 90³âÀÇ ¿ª»ç¸¦ °¡Áø ÀϺ»ÀÇ ¸í¹® ÃâÆÇ»ç À̿ͳª¹Ì¼­Á¡(äÛ÷îßöïÁ)¿¡¼­ ÃâÆǵǾú´Ù. ¼Ò¼³Àº 80³â´ë ÀÌÈÄ °Ýµ¿ÀÇ Çѱ¹»çȸ¿Í »çȸÁÖÀÇ±Ç ºØ±«¸¦ ¹è°æÀ¸·Î ÀþÀº µÎ ³²³àÀÇ ÆĶõ¸¹Àº »î°ú »ç¶ûÀ» ±×·Á³Â´Ù. À̿ͳª¹Ì¼­Á¡Àº 80³â´ë¿¡ Ȳ¼®¿µÀÇ ¡º°´Áö¡»¸¦ ºñ·ÔÇÏ¿© Çѱ¹ÀÇ ´ÜÆí¼Ò¼³¼±, µ¿¿ä¼±Áý, ¹Î¿ä¼±Áý µîÀ» ÃâÆÇÇÑ ¹Ù Àִµ¥ À̹ø¿¡ ¡º¿À·¡µÈ Á¤¿ø¡»À¸·Î Çѱ¹¹®ÇÐ ÀÛÇ°ÀÇ ÃâÆÇÀ» Àç°³ÇÔÀ¸·Î½á ÀϺ»¿¡¼­ Çѱ¹¹®ÇÐÀÌ »õ·Ó°Ô ÁÖ¸ñ¹ÞÀ» °ÍÀ¸·Î ±â´ëµÈ´Ù. 2000³â Áö¿ø.

    ü㪫ª·ªÎïÔ (An Old Garden)
    Hwang Seok-Young (Author)/ Aoyagi Yuko (Translator)/ Japan: Iwanami Books, 2002
    First full-length novel released by Hwang Seok-Young in twelve years, living a life of exile and imprisonment, An Old Garden acquired the support of the reputed 90 year Japanese publisher, Iwanami Books. The author conceived this novel in German asylum since the North Korea visiting incident in 1989, and during imprisonment upon his return. Through a variety of forms such as letters, memorandums, and documents, it is a narration of the mental state and lives of the two protagonists, a young couple in love in a time of upheaval (post-1980 Korea and the collapse of communism). Starting with Hwang Seok-Young¡¯s Strange Lands in the 80¡¯s, Iwanami Books boasts a large publication of Korean short stories, children¡¯s verse, and folk songs; An Old Garden resumes that publishing tradition and hence draw Japanese attention anew.

  • Lit. Theory Àι® | ÆǼҸ®(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) Le Pansori

    ÀúÀÚ À̹ÌÁ¤ ¤Ó ¿ªÀÚ

    ÃâÆÇ»ç ÇÁ¶û½º ¸ÞÁ¾³úºê ¤Ó ÃâÆÇÀÏ 2002 (2000Áö¿ø)

    ÆǼҸ® Le Pansori
    À̹ÌÁ¤ îÊ, ÇÁ¶û½º ¸ÞÁ¾³úºê ÊÊ
    ÇÁ¶û½º Æĸ®8´ëÇÐ Çѱ¹¿¬±¸¿øÀÇ Ã¥ÀÓ¿¬±¸¿øÀÎ À̹ÌÁ¤¾¾°¡ ÀúÀÛ, Ãâ°£ÇÑ º»°Ý ÆǼҸ® Çؼ³¼­ÀÌ´Ù. ÆǼҸ®ÀÇ ÀǹÌ, ¿ª»ç¿Í ÇÔ²² ÃáÇâ°¡, ½Éû°¡, Àûº®°¡ µî Á¾·ù¸¦ ¼³¸íÇÏ°í Çѱ¹ÀÇ ¸íâµé°ú Àå´Ü, Á¶, ¼ºÀ½ µî ÆǼҸ®ÀÇ Çü½ÄÀ» ¼Ò°³ÇÏ°í ÀÖ´Ù. ƯÈ÷, ¿Ü±¹ÀÎÀ» ´ë»óÀ¸·Î ÇÑ ¸¸Å­ »ì¾ÆÀÖ´Â À½·üÀÌ µ¶Àڵ鿡°Ô »ý»ýÈ÷ ÀüÇØÁú ¼ö ÀÖµµ·Ï È­º¸¸¦ Áß½ÉÀ¸·Î Çؼ³ÇÏ°í ÇѺ¹, À屸, ºÏ, ºÎä µî ¼ÒÇ°¿¡ ´ëÇÑ ¼³¸íÀ» µ¡ºÙ¿© Çѱ¹ ÀüÅëÀ½¾ÇÀÇ ¿¹¼ú¼ºÀ» ½Ã°¢ÀûÀ¸·Î À½¹ÌÇÒ ¼ö ÀÖµµ·Ï ÇÏ¿´´Ù. ÀÌ Ã¥Àº ÆǼҸ®¿¡ °üÇÑ À¯ÀÏÇÑ ºÒ¾îÆÇ ¼­ÀûÀ¸·Î¼­ ÆǼҸ®¸¦ ¾Ë°íÀÚ ÇÏ´Â ¼­±¸Àε鿡°Ô Àü¹®ÀûÀÎ Á¤º¸¸¦ ÁÙ ¼ö ÀÖ´Â À¯¿ëÇÑ ÀÚ·á°¡ µÉ °ÍÀ¸·Î ±â´ëµÈ´Ù. 2000³â Áö¿ø.

    Le Pansori: Un art lyrique Coréen Centre de recherches sur la Corée, Paris VIII (Editor)/ Paris: Maisonneuve & Larose, 2002 A genuine exposition of pansori by Lee Mee-jeong, head researcher at Korea Institute of Universite Paris 8, Le Pansori delves into the meaning of pansori, explains the likes of The Song of Chunhyang, The Song of Shimchong, The Song of Jeok Byuk in relation to history, and touches upon celebrated singers and modes such as rhythm, tune, and vocals. Explanations on articles like Korean traditional costume, janggu (an hourglass-shaped drum), buk (drum), and fan, complement illustrations that capture the feel of traditional music for foreigners. The sole book on pansori to be found in French, Western appreciators will find it expert reference and guide.

  • Fiction¼Ò¼³ | ´ç½ÅµéÀÇ Ãµ±¹(îñ ÇØ¿ÜÇѱ¹¹®ÇÐ ¿¬±¸Áö¿ø»ç¾÷ Áö¿ø) AAP KI JANNAT

    ÀúÀÚ ÀÌûÁØ ¤Ó ¿ªÀÚ Masood Ashar¸¶½ºµÎ ¾Æ»þ¸£

    ÃâÆÇ»ç PakistanÆÄÅ°½ºÅº Mashal Books¸¶¼£ÃâÆÇ»ç ¤Ó ÃâÆÇÀÏ 2008(2008 Áö¿ø)

    ´ç½ÅµéÀÇ Ãµ±¹ AAP KI JANNAT(Your Paradise)
    ÀÌûÁØ íÂ/ ¸¶½ºµÎ ¾Æ»þ¸£(Masood Ashar) æ»/ ¸¶¼£ÃâÆÇ»ç(Mashal Books) ÊÊ
    ÆÄÅ°½ºÅº ¸¶¼£ÃâÆÇ»ç()¿¡¼­ Çѱ¹ÀÇ Åä¼ÓÀûÀÎ Á¤ÇÑÀ» ´ãÀº ¹®Á¦ÀÛµé·Î Çѱ¹ ¹®´ÜÀÇ °Å¸ñÀ¸·Î ºÒ¸®´Â °í ÀÌûÁØ ¼±»ýÀÇ ¡ºAAP KI JANNAT(Your Paradise : ´ç½ÅµéÀÇ Ãµ±¹)¡»ÀÌ ÆÄÅ°½ºÅº 3°³ °ø¿ë¾î Áß ÇϳªÀÎ ¿ì¸£µÎ¾î·Î ¹ø¿ª ÃâÆǵǾú´Ù. ÀÌ ÀÛÇ°Àº 2000³â ¿ª½Ã Àç´ÜÀÌ Áö¿øÇÑ¡ºYour Paradise¡»¿µ¿ªÆÇÀ» ¿ì¸£µÎ¾î·Î Áß¿ªÇؼ­ Ãâ°£ÇÑ °ÍÀÌ´Ù. À̹ø ÀÛÇ°Áý Ãâ°£Àº ±×µ¿¾È Çѱ¹¾î ¹®ÇÐÀÛÇ° ¼Ò°³°¡ Àü¹«ÇÏ´Ù½ÃÇÇ ÇÑ ÆÄÅ°½ºÅº¿¡¼­ 2006³â Àç´Ü Áö¿øÀ¸·Î Ãâ°£µÈ ¡ºSUNEHRI QAQNAS(The Golden Phoenix)¡»(¡¸±Ý½ÃÁ¶¡¹µî ÃÑ 7°³ÀÇ ÀÛÇ°À» ´ãÀº Çѱ¹ Çö´ë ¼Ò¼³Áý)¿¡ ÀÌ¾î µÎ ¹ø°·Î Çѱ¹ ¼Ò¼³ÀÛÇ°À» ¼Ò°³Çѵ¥ Å« ÀÇÀÇ°¡ ÀÖ´Ù. ÆÄÅ°½ºÅº ³» ÁÖ¿ä ¼­Á¡Àº ¹°·Ð, ÆÄÅ°½ºÅº ÁÖ¿ä ¾ð·ÐÀÎ, ÇÐÀÚ, ¹®Àο¡°Ô ¹èÆ÷ÇÏ°í ¸¶¼£ÃâÆǻ簡 Âü°¡ÇÏ´Â À¯¼ö µµ¼­Àü½Ãȸ¿¡ ¼±º¸ÀÏ ¿¹Á¤ÀÌ´Ù. ¶ÇÇÑ ÆÄÅ°½ºÅºÀÇ ÁÖ¿ä ÀÏ°£Áö¿Í ÀâÁöÀÇ ºÏ¸®ºä¸¦ ÅëÇØ ÆÄÅ°½ºÅºÀÇ µ¶Àڵ鿡°Ôµµ ¼Ò°³ÇÒ ¿¹Á¤ÀÌ´Ù

  • Lit.Theory¹®Çлç | Çѱ¹ »ç(Þò) ¹®ÇÐ(îñ ÇØ¿ÜÇѱ¹¹®ÇÐ ¿¬±¸Áö¿ø»ç¾÷ Áö¿ø)

    ÀúÀÚ ¤Ó ¿ªÀÚ À̽¸Å

    ÃâÆÇ»ç ChinaÁß±¹ ÚÅðéõó÷úÞä¹ÎÁ·ÃâÆÇ»ç ¤Ó ÃâÆÇÀÏ 2008(2006 Áö¿ø)

    ´ë»ê¹®È­Àç´Ü(ÀÌ»çÀå ½ÅâÀç)ÀÇ ÇØ¿Ü Çѱ¹¹®ÇÐ ¿¬±¸Áö¿øÀ¸·Î ¡ºÇѱ¹ Þò(»ç) ¹®ÇС»ÀÌ Áß±¹ ¹ÎÁ·ÃâÆǻ翡¼­ ¿¬±¸․ÃâÆǵǾú´Ù. ¡ºÇѱ¹ Þò(»ç) ¹®ÇС» Çѱ¹°íÀü¹®Çп¡ ÀÖ¾î Áß¿äÇÑ Çѹ®ÇÐÀÇ ÇÑ À帣·Î, Áß±¹ »êµ¿´ëÇп¡¼­ Áß±¹°íÀü¹®ÇÐÀ» Àü°øÇÏ°í ¼º±Õ°ü´ë¿¡¼­ Çѱ¹°íÀü¹®ÇÐ ¿¬±¸·Î ¹Ú»çÇÐÀ§¸¦ ¹ÞÀº À̽¸ŠÁß±¹ Çؾç´ë ±³¼ö°¡ ±è½Ã¾÷ ¼º±Õ°ü´ë ±¹¹®°ú ±³¼ö¿Í °øµ¿À¸·Î ¿¬±¸, ÃâÆÇÇÏ¿´´Ù. ±¹¹®Çаú Áß¹®ÇÐÀ» µÎ·ç ¼··ÆÇÑ ÀúÀÚ°¡ ±×µ¿¾È ¿¬±¸°¡ È°¹ßÇÏÁö ¾Ê¾Ò´ø Çѱ¹ Þò ¹®ÇÐÀ» º»°ÝÀûÀ¸·Î ¹ß±¼ ¹× ¼Ò°³Çß´Ù´Â Á¡¿¡¼­ ±× Àǹ̰¡ Å©´Ù°í ÇÒ ¼ö ÀÖ´Ù. ÃÑ 2ºÎ·Î ±¸¼ºµÈ ÀÌ Ã¥Àº Á¦ 1Æí ¡®Þò ¹®ÇÐÀÇ ÀÌÇØ¡¯¿¡ Çѱ¹ »çÀÇ ±â¿ø°ú Ư¼º, Á¸ÀçÇü½Ä, ÇöÀç±îÁö ÀÌ·ç¾îÁø »ç ¹®ÇÐÀÇ º¸Á¸°ú »ç ÀÚ·áÁý ÆíÂù »óÅ µîÀ» »ó¼¼ÇÏ°Ô ¼ö·ÏÇؼ­ »ç ¹®Çп¡ ´ëÇÑ ±âº»ÀûÀÎ ÀÌÇظ¦ µ½°í ÀÖ´Ù. À̾î Á¦ 2Æí ¡®Çѱ¹ »ç ¹®ÇÐ °³°ü¡¯¿¡¼­´Â °í·Á½Ã´ëºÎÅÍ Á¶¼± Èıâ±îÁö À̾îÁ®¿Â Çѱ¹ »ç ¹®ÇÐÀ» ÁýÁß Á¶¸íÇÏ°í ÀÌ ½Ã´ëÀÇ ´ëÇ¥ÀûÀÎ »ç ÀÛ°¡¿Í ÀÛÇ°¿¡ ´ëÇØ »ìÆ캸°í ÀÖ´Ù ÀúÀÚ´Â Çѱ¹¾î·Î ÃâÆÇµÈ ÀÌ Ã¥À» Áß±¹³» Çѱ¹¹®ÇÐ Àü°øÀÚ¿¡°Ô ±âÁõÇÏ°í °¢ ´ëÇÐ µµ¼­°ü°ú ÀÚ·á½Ç¿¡ ¹èÆ÷ÇØ Áß±¹¿¡¼­ÀÇ Çѱ¹ÇÐ ¿¬±¸¿¡ È°·ÂÀ» ºÒ¾î³ÖÀ» »Ó¸¸ ¾Æ´Ï¶ó ±¹³»¿¡¼­ÀÇ »ç ¹®ÇÐ ¿¬±¸¿¡µµ ±â¿©ÇÒ °ÍÀ¸·Î ±â´ëµÈ´Ù. ¶ÇÇÑ Çѱ¹¾î¿Í Çѱ¹¹®Çп¡ °ü½É ÀÖ´Â Áß±¹ µ¶ÀÚµéÀ» À§ÇØ ÁÖ¿ä ¼­Á¡¿¡ º¸±ÞÇÏ¿© Çѱ¹ »ç ¹®Çп¡ ´ëÇÑ ÀÌÇظ¦ ³ô¿©ÁÙ °ÍÀ¸·Î ±â´ëµÈ´Ù.

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  • Poetry½Ã | ¸ð¶õÀÌ ÇDZâ±îÁö´Â(±è¿µ¶û ½Ã¼±Áý)(îñ ÇØ¿ÜÇѱ¹¹®ÇÐ ¿¬±¸Áö¿ø»ç¾÷ Áö¿ø)

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    ÃâÆÇ»ç º£Æ®³² ¹®ÇÐÃâÆÇ»ç ¤Ó ÃâÆÇÀÏ 2008(2006 Áö¿ø)

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  • Poetry½Ã | »ç¹°ÀÇ ²Þ(Á¤ÇöÁ¾½Ã¼±Áý)(îñ Çѱ¹¹®ÇÐ ¹ø¿ªÁö¿ø»ç¾÷ Áö¿ø) The Dream of Things

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    ÃâÆÇ»ç USA¹Ì±¹ Homa&Sekey Books ¤Ó ÃâÆÇÀÏ 2008(1997 Áö¿ø)

    Á¤ÇöÁ¾½Ã¼±Áý The Dream of Things
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    Çѱ¹ Çö´ë½Ã´ÜÀÇ °Å¸ñ Á¤ÇöÁ¾ÀÇ ´ëÇ¥½Ã°¡ Çѵ¥ ¹­ÀÎ ½Ã¼±Áý ¡ºThe Dream of Things¡»°¡ ¹Ì±¹¿¡¼­ ¹ø¿ª, Ãâ°£µÇ¾ú´Ù. Á¤ÇöÁ¾ ½ÃÀÎÀº ÁöÀûÀÌ°í °ü³äÀûÀÎ ³»¿ëÀÇ ¹¬Á÷ÇÑ ÁÖÁ¦¸¦ ¹«°ÌÁö ¾ÊÀº ½Ã¾î¿¡ ´ã¾Æ³» Çѱ¹ ÁÖÁöÁÖÀÇ ½ÃÀÇ »õ ÁöÆòÀ» ¿¬ °ÍÀ¸·Î Æò°¡¹Þ°í Àִµ¥, ÃʱâÀÇ ½ÇÁ¸ÁÖÀÇÀûÀÎ °æÇâ¿¡¼­ Ãâ¹ßÇØ Èıâ·Î °¥¼ö·Ï »ýÅÂÁÖÀÇ¿¡ °æµµµÇ´Â ¸ð½ÀÀ» º¸ÀδÙ. À̹ø ¿µ¿ª ½ÃÁý¿¡¼­´Â ÃʱâºÎÅÍ Èıâ±îÁö ¸Å ½Ã±â¸¦ ´ëÇ¥ÇÏ´Â 81ÆíÀÇ ½Ã°¡ 2ºÎ·Î ³ª´µ¾î ¼ö·ÏµÅ ÀÖ´Ù. ƯÈ÷ ±ÇµÎ¿¡ 17ÆäÀÌÁö¿¡ ´ÞÇÏ´Â ¿ìÂùÁ¦ ¼­°­´ë ±³¼öÀÇ »ó¼¼ÇÑ Çؼ³À» ¼ö·ÏÇØ ¿µ¾î±Ç µ¶ÀÚµéÀÇ ÀÌÇظ¦ µµ¿Ô´Ù. ¹ø¿ªÀÚÀÎ ±è¿øÁß ±³¼ö´Â 6±ÇÀÇ ¿µ¿ª ½ÃÁýÀ» ³½ ¹Ù ÀÖ´Â ¿µ¾î±ÇÀÇ ´ëÇ¥ÀûÀÎ ½Ã Àü¹® ¹ø¿ª°¡ÀÌ°í Homa&Sekey ÃâÆÇ»ç´Â ÃÑ 18±ÇÀÇ ¹ø¿ª¼­¸¦ Ãâ°£ÇÑ ¹Ù ÀÖ´Â ¹Ì±¹ÀÇ ´ëÇ¥ÀûÀÎ Çѱ¹¹®ÇÐ Àü¹® ÃâÆÇ»çÀÌ´Ù. 1997³â Áö¿ø.

    The Dream of Things
    Jeong Hyeon-Jong(Author)/Kim Won-Chung, Kim Mi-Jin(Translator)/USA: Moma&Sekey
    Rather than relating themes of stories of a serious nature, each poem by Jeong Hyeon-Jong blooms as though a flower or a tree. Such a claim hardly dismisses any profound messages they may hold, but instead underlines the fact that everything around us is a thing in itself and, itself the message. Likewise, this winner of the Fourth Daesan Literary Awards in 1996 depicts self and all of creation as an organic hole sharing a cosmic soul. Jeong¡¯s is an ecological imagination concerned with the empathy between objects and the exploration of oneness,; therefore, man and nature in Jeong¡¯s world exist in co-relation to one another, to emphasize the ecological love on which dialogic imagination is based.

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    ÃâÆÇ»ç Mongolia¸ù°ñ ¹¶Èù ¿ì¼¼±× ¤Ó ÃâÆÇÀÏ 2007(2005 Áö¿ø)

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